sublime spectacle ono disrupting beatles

#Sublime spectacle ono disrupting beatles movie#

The head of the Critics Choice Awards wants to replace the Golden Globes. It’ll be a cruel irony if it turns out that the industry should’ve been more worried about losing that generation’s parents. That includes TikTok influencers and video game gurus on Twitch, but it also includes Tom Holland and Zendaya on the big screen. Now it seems that Gen Z is watching everything. I’ve been covering this business long enough to remember when Hollywood was worried about losing younger audiences to streaming and video games. The deal was revised in 2019 after a dispute over financial terms. Sony’s long-running Spider-Man universe got a boost of adrenaline when Disney agreed to let Marvel Studios boss Kevin Feige produce the Sony-owned Peter Parker movies alongside former Sony exec Amy Pascal in exchange for being able to use the popular character in the MCU. The Tom Rothman-led studio in Culver City in recent weeks has put out Spider-Man NFTs (non-fungible tokens) with AMC Theatres and released marketing materials for the next animated Spider-verse picture and the Spidey spinoff “Morbius.” Sony is in full-court press mode for everything related to Spider-Man. What’s more, they’ve been primed by “Black Widow” and “Eternals.” It helps that “Spider-Man: No Way Home” looks like it’s going to be very satisfying for fans, compared with those other two films, for which the reception was mixed.

#Sublime spectacle ono disrupting beatles movie#

There are a couple of takeaways, assuming all goes as expected.įirst is that the Marvel audience, which is generally younger and more male than the movie musical crowd, is ready to go back to theaters. 3 opening of the year after “Spider-Man” debuts.) Stray thought: who would have thought that the two movies with the biggest openings of 2021 would be Marvel films not released by Disney? (“Shang-Chi,” which was released by Disney, will have the No. Sounds nuts, but … maybe? Other distributors are more cautious, predicting an opening of around $125 million.Ĭonsider that the highest three-day opening since the pandemic began is “Venom: Let There Be Carnage” with $90 million. Boxoffice Pro’s Shawn Robbins is projecting that the film could even hit $200 million. and Canada of more than $150 million is within reach, according to people who have seen pre-release audience surveys and advance sales data. (Photo illustration by Nicole Vas / Los Angeles Times Meg Boulden / Unsplash)Įstimates for the newest Sony Pictures Marvel feature are all over the place, but with pre-sales going strong, an opening weekend gross in the U.S. On the opposite end of the universe, there’s “Spider-Man: No Way Home,” which is about to obliterate the record for the biggest opening weekend since the pandemic. Even older-skewing male-oriented action movies have struggled, relatively speaking (Hello, James Bond). That’s a disastrous trend for the movie musical genre, which has produced recent bombs such as “In the Heights” and “Dear Evan Hansen.” And if boomers, Gen Xers and elder millennials aren’t returning for Spielberg, good luck to anyone making rom-coms or adult dramas for theatrical release.

Among those in the study age 45 and over, 57% are considered “former filmgoers.” Of the group of former moviegoers who were the least likely to return to theaters, 63% were female in the survey. That audience member is more likely to be female, over 35 and nonwhite. The study profiled the typical filmgoer who is “likely lost” as a theatrical viewer.

Some of those moviegoers simply aren’t coming back, according to a recent study released by research firm the Quorum. This episode of The Talk Show was edited by Caleb Sexton.Older audiences, and especially older women, are the most hesitant demographic to return to multiplexes as COVID-19 continues to make its presence known.

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